Since his graduation from art school Sarić has concentrated on art whose subject matter is taken from the New Testament in a series of cycles - Earthly Stories with Heavenly Meaning, Witnesses, Cycle of Life – which represent a personal spiritual and artistic journey. In these cycles Sarić appropriates the iconography and themes of the Parables of Jesus or the stories of Holy Martyrs of the Church and converts them into compositions whose wit, elegance and originality are all his own.

In his more recent work on view in Paxos - the cycles Glowing Darkness, Monuments, Winter Light – Sarić begins stepping away from recognizable references to religious iconography into emptier, more minimal compositions with a new intensity and depth in his handling of light and color. Like the veil of Veronica the light in these canvases acts both as curtain veiling yet simultaneously revealing a sacred image. Agnes Martin and James Turrell are among the artists Sarić believes have affected this new direction in his art, indicating also, the gradual shedding of his Orthodox roots since his move to Germany in 2011. The glowing light and deep spaces of the current work, further enhance the mystery and mystical resonance of the paintings, so that the spiritual thread that goes back to the epiphany of the Studenica Monastery remains unbroken to this day.